The witness movie11/13/2022 Following the discovery of the murdered woman, a form is distributed around Sang-hoon’s community which asks tenants to not aid in the ongoing investigation, unless they want the long-term property value to drop. That the character is simply a mysterious force of evil that spontaneously shows up in the neighborhood and freely menaces Sang-hoon and those around him in broad daylight without any repercussion is also of massive concern.īut perhaps that’s the point as community pressure and inaction is a key observation that The Witness makes in its overall commentary around crime in relation to property value. Just as frustrating is the lack of characterisation for the killer, who could have been played by literally anyone. Although Sang-hoon undergoes a transformative arc that forces him into taking more direct action, the character’s cowardliness for a majority of the film remains a frustrating sticking point as a viewer - especially when he is paralysed by fear and unable to communicate with detective Jae-yeop (Kim Sang-ho). For the remainder of the film, Sang-hoon is tormented by the killer and becomes increasingly paranoid that he is the next to go.Īrguably the film’s greatest source of disappointment is with its characters. In a panic, Sang-hoon shuts the light but it’s too late – the killer knows which building and which apartment the light belonged to. Stunned by what he sees, he is suddenly surprised when his wife (Jin Kyung) turns on the light to their apartment, alerting the murderer (Kwak Si-yang). When salaryman Sang-hoon (Lee Sung-min) comes home after a night of drinking, he witnesses from the balcony of his home a brutal murder. And while The Witness doesn’t exactly break new ground in the genre - which itself is a difficult feat for any new film when one considers the country’s quality output for suspenseful thrillers - it does provide some socially conscious commentary, posing interesting questions to its audience on, of all subjects, property value. Should you report a crime if it meant endangering your life and that of your loved ones? This is the central question that drives The Witness, a new film from director Jo Kyoo-jung that adds to South Korea’s already expansive collection of crime-thrillers. #The witness movie movieThe acting, cinematography, editing and music all contribute to the suspense keeping me engaged in the movie and its outcome.This review contains spoilers for The Witness. There are lots of opportunity for tension as the evil Tang Zhen is thwarted time and again but he still persists. Xiaoxing and then pursuing the youthful Lin Chong. At first his testimony was not taken seriously adding to the tension as the Tang Zheng character kept up his stocking the blind Ms. Along with Lu Xiaoxing (Yang Mi) and Captain Lu (Wang Jingchan) I too thought it was a taxi which led to misguided searches until a rollerskater got involved in the mystery. The suspense starts with her mistaking a vehicle for a taxi driven by one nefarious character portrayed by Zhu Yawen. The film does an excellent job of portraying how it is to be blind. The two of them behaved like delinquets resulting in a car crash, leaving him dead and her blind. At first I was not going to give this film much hope based on the opening scene of the police officer taking her younger brother off stage during a performance.
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